Life is Beautiful sets itself apart from other WWII films. On one hand, it is a funny, magical, Kapra-esque, Chaplin inspired, slapstick farce. On the other, it is a tragic World War II story, which successfully brings forth the horrors of Nazi fascism.
Together, its two elements prove to be a winning combination. The reason for this is simple. Many films before (and after) it have shown the macabre nature of Hitler's rule, yet only a few have done it as convincingly as this film has. And instead of doing so with the same depictions of brutality seen in Schindler's List or The Pianist, Life is Beautiful does it by constantly comparing the inhumane and rigid constraints of Hitler's regime, with the love, compassion, and playful imagination of the films main protagonist.
Said protagonist is Guido, played by writer/director Roberto Benigni. A Jewish man with a wild imagination, playful spirit, charisma, and a hopeless romantic to boot, Guido moves to Rome with aspirations of opening a book store. Almost immediately he meets and falls for rich socialite Dora (Nicoletta Braschi). After winning her over, they marry and give birth to a son (Giorgio Cantarini). Several years later, the Nazi's take over Italy, and Guido and his family are sent to a concentration camp, where Guido uses his creative humour to hide the horrors of their surroundings from his son.
The excellent acting and direction by Roberto Benigni is the films driving force. His character is an extremely funny, beautiful soul, who is played exceptionally by Benigni and worthy of the praise bestowed upon him. Child actor Giorgio Cantarini is very impressive, and actress Nicoletta Braschi (Benigni's real life wife) also gives a fine performance.
The screenplay by Benigni and Vincenzo Cerami is excellent, and Benigni successfully brings the script to life with a graceful and disciplined touch, handling both the tragic and humorous elements very well. The comedy in particular works so well, that during the moments where Guido is mocking the Nazi's, the desire to laugh is unbearable even though the consequences of his actions could be deadly.
The films production design and costumes are exceptionally well handled, as is the score by Nicola Piovani.
Overall, this is a very powerful film which should draw out many emotions from its viewer. Its portrayal of a man who finds beauty during the brutality of war, and love amongst the blindest of hatred, is handled with the upmost sincerity, warmth, and skill.